Revising with Help from My Characters

I finished the second draft of the ninth Mae Martin Mystery. It took two drafts to find out who was the real “villain” was and why they acted as they did. Now I’m reading through the book and taking notes on what works, what needs to be changed, and what might be okay to cut. I find this stage of the revision process absorbing and challenging. I have to get creative within the existing framework and pay even closer attention to my characters’ inner workings. When a scene needs alteration, it’s often because I made someone do what they really wouldn’t do. I’m critiquing and analyzing my book in progress, but the characters are guiding me through it.

Rain Reunion

At first, there was only a thin veil over a butte on the far side of the lake. Dream on, I told myself. It’s not coming. As I ran five miles in the desert, blue-gray clouds thickened, and more rain veils hung over the mountains. When I neared the end of my run, the song of thunder rumbled. The wind picked up. The smell—petrichor, the most magical scent in the world—arose. I walked the contemplative rock spiral at the end of the trail, spent time in its center, and the rain grew closer and more promising. By the time I finished stretching, it was falling. I stood outside my car, face lifted to the sky, cherishing a cold drop on my chin. Another on my ear. Each touch was so precious, so longed-for, after five weeks of extraordinary heat, a non-soon season instead of a monsoon season. The reunion with rain was like being in love. The moment when you know you need to go, but you linger for one more kiss. The cool, sweet kiss of rain.