Happy Coincidences

Dear Susan,

First, happy birthday. I’m honored that you wanted to treat yourself to my books to celebrate. Second. I want to thank you for telling me why. You said reading The Calling had a positive impact on your life. Writing it had a positive impact on my life, too, as I explored healing and loss, friendship and enmity, and the lessons learned from all of them. When you said the book had an effect as you were making changes in your place, working with its energy, I understood. I’m part-way through book seven in the series, which introduces a character who is a house healer, so this was an intriguing coincidence.

Your call to Black Cat Books to order the rest of the series was another synchronicity. My neighbor and I had gone there for tea and book shopping before the store takes its summer vacation. (The off-season in T or C starts after Memorial Day. It’s already in the upper nineties.) Your birthday happens to fall right before the store closes up for three months. I was just about to head out the door when I heard Rhonda, the store owner, mention my name. So I stayed and had the opportunity to talk with you and then signed the books dedicated to you.

Authors don’t often get to talk with readers. I hugely appreciate those who review or get in touch, but I don’t expect it of the majority. All I want is for them to read, enjoy, and repeat. Hearing how you connected with The Calling at a psychological and spiritual/energetic level meant a lot to me. Your input reminds to keep taking my protagonist on her healing journey, through mysteries that challenge her emotionally and ethically and require her to learn (often the hard way).

Thank you for supporting a small, independent bookstore and for making an author’s day—not only by buying my books, but re-grounding me in the reasons why I write them. Next time you visit T or C, perhaps the book with the house healer will be in Black Cat for you.

Amber

Title?

Several readers suggested I should collect some of my blog posts into a short book of reflective essays, and I’ve finished selecting the ones to polish and organize into this project. It needs a title before I can have a cover designed, but I’ve always found it hard to name things. (As an undergraduate theater and dance student, I used to choreograph a lot of pieces called “Untitled.”)

The working title on the file is Meditations from the Middle of Nowhere, because Truth or Consequences, NM is very much in the middle of nowhere. However, I wrote many of those posts when I was only a part-time resident of T or C and spent most of each year teaching at a small college in Virginia. Not quite the middle of nowhere, though perhaps that doesn’t matter. One of my blog post titles, Small Awakenings, might be a good one for the book as well.

Maybe some of you have better ideas. Suggestions?

Cactus Flowers, Colander Hats and Other May Musings

This is my first May in Truth or Consequences. I may have complained about the wind a little (or a lot) but there’s much to love, and when the wind stops, this hot spring/summer month is beautiful. We don’t have green grass and tulips and daffodils here, but May does bring out some amazing flowers. Ocotillo! It’s not a cactus, though it can be mistaken for one when its leaves have fallen off. In the winter, it looks like a spray of long, thorny sticks. In the summer, it wears small green leaves. And in May, scarlet blossoms flare from its tips, stunning against the bare blue sky, attracting bees and hummingbirds. Tree cholla displays purple-pink blossoms on the ends of its long, spiky arms, prickly pear cacti are blooming with orange or yellow cups, and ice plants, low-growing succulents with daisy-like flowers in a rainbow of colors, cover swaths of ground all along the streets.

A year ago, I was teaching my last college classes, grading finals, preparing to move, and somehow keeping up with writing and yoga. This year, instead of marching in commencement in hot black academic regalia, I was walking with a float in T or C’s Fiesta Parade. Fiesta is a celebration of the town. Local businesses sponsor floats, political parties and candidates join the parade, and of course there are horses and a marching band. My favorite part of the parade was the Stationary Parade on the sidewalk, where residents in extraordinary costumes waved at the moving parade. Some of stationary parade “marchers” were “walking” in no-impact Gazelle workout equipment, legs swinging back and forth on airborne pedals. One man wore a suit of big silver sequins. And they wore, of course, colander hats.

This is not a mere kitchen item on one’s head. It’s millinery art. The Colander Krewe has been part of Fiesta for eleven years, and it’s catching on. The prize-winning float sponsored by Desert Archaic Gallery, Don’s Den, and Truth or Consequences Brewing Company—a float featuring a pink-wigged woman in a top hat beating a large drum, pulled by the iconic Whatever-mobile—was followed by people in costumes topped by astoundingly strange and original hats, including at least one colander.

Fiesta also includes a car show at the Moose Lodge, music and vendors in Ralph Edwards Park by the river, and a junk boat race. By trying to squeeze in the car show and the boat race, I missed all but the final junk boat, a strange creation heading off down the Rio Grande with what appeared to be tiny wheels on long arms like spider legs poking out from its floating center.

The vendor who caught my attention for the longest time was selling crystals, some of them enormous, and he had tubs full of geodes, most of them not broken open, so one could purchase a surprise. I didn’t—crystal-bearing rocks cover a corner of my desk already, some plucked from local trails—but I liked the idea of buying that gray rough sphere, knowing it holds a crystal cave, and waiting until the time is right to open it and reveal the magic. It’s a metaphor waiting to be used. I hope I can find a reason to use it, and to write a scene that includes colander hats.

*****

Totally off topic, but if you haven’t read The Calling yet or want to recommend it  to someone, it’s on sale through May 21 for 99 cents all e-book retail sites.

 

Gnats

They only want light. Or at least I think that’s what they want. They cling to the ceiling and then die, in such astounding numbers I’m amazed they keep coming and that the world isn’t running out of gnats. They started slipping in through the tiny gaps around the air conditioner every night when the weather got warm. I keep a mop out so I won’t be constantly stepping on their poor little corpses. In the place I used to rent, the converted pea-soup-green trailer that plays the role of Mae’s house in my books, I had a few well-placed house spiders who lived under the lamps and took care of this problem. But I have none here.

When the bats came back to their nearby caves in mid-April, the gnats vanished for a while. But when the high winds kick up, the bats stay low over the Rio Grande, their delicate bodies protected by the banks, and they don’t come into town. They don’t like wind any more than I do. So, on windy nights, the gnats once again hover around my ceiling light, walk across my computer screen, and then pepper my floor.

Sometimes I resent them, but they only want light.

My thoughts intrude like gnats sometimes, and I catch them being negative or critical, or just self-pressuring-busy with all the things I tell myself I ought to do. Behind all this seeking-something energy, there’s an impulse toward light. I mop up the gnats. Thoughts. Gnats. With gratitude for bats and spiders, and for the space between my thoughts.