Month: April 2022

Eccentricity as Art

I finally met the man who rides an adult tricycle in colorful suits. The day I met him in Ingo’s Art Café, his suit was daffodil yellow. I said I’d admired his many bright outfits over the years and asked what inspired him to dress that way. He said he had a background in broadcasting—mostly radio. He was a performer by nature. One of the things I love about Truth or Consequences is how clothes can be self-expression to any degree you please, without concern for fashion or conformity.

The same is true of homes. Then someone built a bland, multi-story house that looks like it escaped from an East Coast suburban subdivision and landed on the corner of Clancy and Wyona. I try to like it, but I can’t. Next door to it is a tiny bright purple-and-green place. Across the street from it is a small blue-and-white house with an array of yard art made from blue glass bottles.

T or C yard art is usually made from recycled objects, curated for color, materials and theme. Some people like windmill effects and rusty metal, others prefer glass, machinery, hats, vinyl records, broken guitars, old trophies, or even fuses. And then, there’s the tree with flexible coil ducting and a metal horse head. My picture didn’t capture the extensive ducting wrapped around the rest of the tree on the other side of the fence. I like this much better than the bland new house. I will try to think of the new house as nonconformist in its own way—refusing to be the least bit eccentric. But I hope the people who move into it will gradually get the urge to decorate.

The Spiral

Someone rearranged the collapsed mini-Stonehenge at Elephant Butte Lake into a spiral. Each rock seemed mindfully chosen for its shape, its size, and its colors in relation to the other rocks. At the end of the spiral was a kind of temple, an arch of precisely balanced stones, and then a little offering of green juniper, old wood, and pebbles that reminded me of the flower arrangement at a tea ceremony. Simple, natural, inviting of contemplation.
When I walk the spiral, I am aware of other footprints, someone else’s slow, reverent steps arriving, stopping, and returning outward. I see the bubbles and tubes of the lava rocks, hear my steps on the sand. And nothing else. I arrive at the center and arrive at silence. I return outward, past the smaller and smaller stones tapering out into open space.

The arch fell. The offering blew away. I arranged the remains in a stable position. And walked the spiral again.