A New Mexico Mystery Review: A Summer to Remember by Amy M. Bennett

This is one of those series I keep reading for the engaging characters. Also, it’s set not far from where I live, and knowing the geography and the various cultures makes it even richer. For someone who’s not a New Mexican, the series could be a great way to get acquainted with the mountain region near Ruidoso and Mescalero.

In this book, Corrie and J.D. are bordering on a closer relationship when everything that can go wrong goes wrong. That’s an author’s job, of course. Make trouble for your characters. Bennett handles the task brilliantly. As a reader, I want the best for these characters, so the obstacles they face—personal and professional—matter. J.D. is up against a series of cold case murders that he until recently thought had been solved. The development of possible suspects is complex and believable. By the time I felt sure of the killer’s identity, I was one short step ahead of the characters. If this effect was intentional, it was masterful, because it added enormously to the suspense. Corrie proves her strength under extraordinary circumstances.

Needless to say, I’ll keep reading the Black Horse Campground series.

 

Help Me Pick the Cover Picture

Mae Martin book ten is now with my editor. I’ve even written the back cover copy.

Wounded Healer

The tenth Mae Martin Psychic Mystery

Blackmail, birdwatching, and out-of-body-travel.

A letter from Nashville gives Mae Martin hope that it’s safe to recover her psychic gift. The healing process is precarious, but it’s also urgent. A friend’s two elderly dogs are lost. Another friend’s former lover has vanished. The police think he left intentionally, but would a birder leave without his binoculars? His family fears the worst.

To learn his fate, Mae pushes her limits as a healer and seer, entering aspects of the spirit world she never knew existed—some beautiful, some dangerous. Will she find the missing man alive? Can she stop his enemies from finding him first? And what will the effort cost?

The Mae Martin Series

No murder, just mystery. Every life hides a secret, and love is the deepest mystery of all.

Now, it’s time to choose the cover. I’m fortunate to have a friend who does beautiful photography, Donna Catterick. Her moody shot of Turtleback Mountain graces Shadow Family, her picture of the elephant-shaped formation in Elephant Butte Lake is on the cover of Gifts and Thefts, and the cover of Chloride Canyon is a picture she took in that location. For this book, I needed a scene at the Bosque del Apache Wildlife Refuge, and I needed birds.

I’ve narrowed my options down to these two. Imagine the whole thing wrapping as a paperback cover, and part of it cropped for an eBook. Which image do you prefer? Vote in the comments.

These next pics are bonus material, birds who have roles in the book. The cute little verdin has a cameo, while the curve-billed thrasher gets an action scene.

If you like Donna’s work, follow her photography blog Always Backroads. Before we met, I’d been following it, and she’d been reading my books. If you read my books, you know what Kenny would say. “The Universe lines things up.”

 

Lost in a Book

After the usual two years of work, I’ve finished the fifth complete draft of the next Mae Martin mystery, tentatively titled Wounded Healer. The mystery centers around a missing birder. The bird in the picture, the desert cardinal, plays a role in the story.

I’m currently going through the manuscript for words I use too often. Most can be cut. Some require revision. I’ve analyzed the plot, the level of tension, the variety in types of scenes, the pacing, the sensory detail, my characters’ process of solving the mystery, and how the red herrings are working. Next, I need to complete the cleanup and send it to my beta readers. They will notice problems and make suggestions, and then I’ll revise it and clean it up yet again. And that’s the status of the book. I’m so fixated on getting it finished that I haven’t been blogging, despite many inspirations for posts. I’ll get around to them once the book is with my betas!

 

A New Mexico Mystery Author Interview: Amy M. Bennett

Last week, I reviewed No Lifeguard on Duty, and today I have the pleasure of welcoming the author for an interview.

Bio: Amy M. Bennett, author of the Black Horse Campground mystery series, has worked as a cake decorator, vino-slinger, and retail worker in preparation for writing murder mysteries. She consumes way too much coffee, New Mexico wine, and true crime documentaries to be considered normal, but her husband and son love her anyway. She lives in Bent, New Mexico, and is always thinking about, if not actively writing, the next book.

AF: Were you always a mystery writer, or did you start with another genre? I ask because you have such a knack for the romantic elements in a mystery.

AMB: I have always loved mysteries, ever since I was a kid and grew up reading… The Three Investigators! Yes, you probably thought I was going to say Nancy Drew, but she was unrelatable to me, an awkward pre-teen with no illusions about being a pulled-together “titian-haired” 18-year-old with her own convertible! But three young teenage boys with a secret junkyard headquarters and the use of a vintage limo they won in a jellybean guessing contest? Okay, maybe still far-fetched, but more relatable to me! That’s what I’ve always wanted to do: create characters that are relatable. I tried to write mainstream romance, was even encouraged to write for Harlequin, but the mystery-lover in me kept going back to my roots.

AF: I may be able to guess the answer, but I’d like to hear it from you. Why did you choose a campground as the setting? Your background as professional cake decorator and your work at a winery offer more conventional cozy setting possibilities.

AMB: There are SOOOO many mystery series that are centered around food and wine (restaurants, cafes, bakeries, wineries, etc.) that I wanted to think of some setting that wasn’t overdone. After a camping trip with my husband and son to Silver City (NM) where we stayed in a very well-run KOA Campground, I realized I had my setting. I took a lot of notes on that trip and any subsequent vacation we took where we stayed in a campground. Also, my concern about having “Cabot Cove syndrome” was dispelled in part by the fact that campgrounds allowed my characters to interact with strangers from other places instead of the people they encountered in their day-to-day life, so a wider range of suspects and victims. (Incidentally, I’d have been eyeing Jessica Fletcher with a lot more suspicion with all the bodies dropping dead in Cabot Cove and she being the common denominator!)

AF: Do you have connections in local law enforcement in your area? If so, what did you learn from them? The scenes with the sheriff and deputies feel authentic and natural. You seem comfortable writing about them. If this is all from research, it’s good research.

AMB: I know a few police officers but, believe it or not, I’ve never taken advantage of them to do a “ride along” or an interview or anything like that. Back when NaNoWriMo was in its prime, they had a few forums where experts—law enforcement, legal, medical, etc.—would offer to answer questions about almost everything you could think of, so I did ask a lot of questions there. I also did a lot of research online about questions pertaining specifically to New Mexico law enforcement. Having a very small-town setting helps, because law enforcement is a lot more likely to be involved with the locals than in a big city.

AF: Where do you start when writing a book? Do you begin with a plot premise? A situation into which you put your characters to see what they do? A blank page and inspiration? Something else?

AMB: I started my series with a setting and a vague idea of who my characters were. That, and I knew I wanted to write a mystery! Now that I’ve established my setting and characters, I just say, “Okay, guys, now what?” Sometimes, when in the midst of a book, I get an idea that really doesn’t fit in the story I’m writing, I set it aside for a future book. Then I tell myself to throw that situation at my characters and see where it goes.

AF: What is the greatest challenge for you in writing a series, and what is the greatest satisfaction?

AMB: I had so many people tell me, at first, that they HATED love triangles in a mystery because the reasons were always so dumb. I think I was able to pull off the love triangle in a believable manner but I also knew when it was time to settle it and move on. The challenge is in coming up with a mystery that isn’t too easy to solve but also not so difficult that it confuses the reader. I also have to do better at keeping notes … I’m always having to revise names I’ve already used in previous stories!

AF: Is there anything I should have asked you that I didn’t think of? Answer that missing question.

AMB: I do have a story I love to share, and it has to do with getting recognition for my writing in a most unexpected way! I work for a local winery, Noisy Water, based out of Ruidoso. One of their best-selling and best known wines is a sweet white blend called Jo Mamma’s White. One time, my husband and I were working a wine festival in Tularosa and our booth had big banners advertising our wines and one of them had the Jo Mamma’s label printed on it. A woman was walking up to us excitedly and she said, “Oh, my gosh, IT’S REAL! I can’t believe it’s real! There really IS a Jo Mamma’s wine!” She went on to say, “I read a mystery book where the main character drank a wine called ‘Jo Mamma’s White’ and I honestly thought it was made up! I can’t believe there really is a Jo Mamma’s White!” Well, when I told her that I was the author of the book she read, she got so excited, she bought a bottle of the wine and asked me to sign it for her! I think that was the first time I and my books were better known than my workplace and their wines!

AF: Thank you for a delightful interview!

*****

To learn more about Amy’s books, go to

https://www.amymbennettbooks.com/books

 

A New Mexico Mystery Review: Jemez Spring by Rudolfo Anaya

I wish I could say that Jemez Spring was as good as the rest of the series, but it’s not. I had to finish it because it wraps up the Sonny Baca series, but it doesn’t do the story cycle justice. Even Sonny himself is not as strong a character. He becomes something between a caricature and an archetype. I almost stopped reading early on, when Sonny—a private investigator—and a police detective are in the presence of the murder victim who died in a hot spring bath at Jemez Springs, and they derisively discuss the size of the dead man’s penis. At that point, I no longer liked Sonny. I thought, why is this episode here?

His girlfriend, Rita, was always simply an archetypal female ideal with no depth. None of the women in this book have any dimensionality except Naomi, the Jemez Pueblo potter. She has a personality. She’s original. I love it when she gets in Sonny’s truck and says, “You got spirits in this truck?” (One of the strongest characters is the ghost of Sonny’s late neighbor don Eliseo, riding in Sonny’s truck and giving him advice.) But like other women in the book, Naomi is an object of desire. The power players are all men, unless I slept through a scene that breaks that pattern

Between each important event, there are often three pages of digression on New Mexico politics, history, culture, and food, beautiful descriptions of the land, excessive backstory, discussions of whether or not dogs dream, and reflections on mythology. These side trips are masterful word craft and some could make good essays collected outside of a novel, but keeping track of the plot took patience.

The final confrontation between Sonny and Raven is in an intriguing setting and has some mystical moments, but it’s also full of philosophical discussion at a point when it deflates the tension instead of escalating it.

The outcome of the ongoing threat with the bomb made me feel as if the author had written himself into a corner and couldn’t get out of it, so he wrote it away into a trick. That’s almost as bad as “it was all a dream.”  I found flashes of delight in certain settings, good lines, and the few good characters, like the Green Indians, but I’m still disappointed in this work by an author whose books I normally love.

 

Book Ten Progress Report

I’ve been so busy writing the next book that I’ve neglected to write any blog posts. So, what have I accomplished?

I finished the first draft of Mae Martin Book 10 and have completed the first stage of revision—reading without making changes yet, taking notes as if I were critiquing for another writer. This is challenging. I see things I want to change right away, but why fix it if I might end up cutting it?

I grasped the importance of a theme I had doubts about I while I was writing, a theme relating to Mae, to Jamie, and non-ordinary spiritual experiences. It’s funny, but writing a paranormal mystery series, I sometimes pull back and ask myself, “Was that too paranormal?” But then I read through the work in progress and think, “That’s the best part.”

The book doesn’t have a title yet, but I’m leaning toward Wounded Healer. Here’s my first draft of the blurb:

Birdwatching, blackmail, and out-of-body travel.

A letter from Nashville gives Mae Martin hope that it’s safe to recover her psychic gift. The healing process is precarious and strange, but it’s also urgent. A friend’s two elderly dogs are lost, and another friend’s former lover has vanished. Spirit medium Azure Skye hasn’t seen her son’s father for twenty-one years. Then she hears his voice. Only the dead speak to her that way.

To learn his fate, Mae pushes her limits as a healer and seer, entering aspects of the spirit world she never knew existed—some beautiful, some dangerous. Will she find the missing man alive? What will his enemies do to stop her? And what will the effort cost?

*****

Prices on the whole series remain low on all e-book retailers. The Calling and Gifts and Thefts are $2.99 each, and the other books $3.99.

A New Mexico History Review: The Villista Prisoners by James W. Hurst

The great strength of this book is its emphasis on the ordinary people involved in the international incident at Columbus, New Mexico in 1916. The book is not about Pancho Villa. It’s not about General Pershing. It’s about the men who were captured during Villa’s raid on the small town on the border of New Mexico and Old Mexico. One of the Villistas captured was a twelve-year-old boy. Their stories—how they came to be in Villa’s army, whether or not they knew they were in the United States, whether they wanted to be doing what they were doing—were matters of controversy at the time.

The author is an excellent historical detective, learning everything about these men that he could. Many of were illiterate conscripts who had been forced into Villa’s army; others had joined because they feared the army of his opponent, Mexican President Carranza. They didn’t want to be at war at all, though, and this issue came up in their trials, as did other questions Could the governor of New Mexico pardon them? Shouldn’t unwilling, illiterate conscripts be considered innocent? But there was a precedent set in both the United States and in Scotland that a soldier who follows an illegal order is still guilty of a crime.

I will not tell you how everything turned out them through the twists and turns of their of their trials. The book starts with the raid, not from the point of view of the leaders, but of the town’s people. And it ends with the fate of equally ordinary people entangled in international and national matters. I recommend this book if you have an interest in history and like to understand not only what happened and why, but who was involved and how they were affected.

 

The Back Room at Black Cat Books

On April 26, Independent Bookstore Day, I had the pleasure of doing a reading and signing at Black Cat Books and Coffee in Truth or Consequences. There were fresh flowers on the table where I was set up in the back room. To my surprise, the room was like a museum honoring a beloved Sierra County musician and luthier, the late Bill Bussman. He and his wife lived out in the middle of nowhere beyond Hillsborough, one of our living ghost towns, but people throughout this area and all over the country knew him because of his musicianship and the instruments he created. He was truly an original—warm and funny with irresistible charm. To learn more, read this article about him and this thread of posts from other musicians acknowledging his passing and sharing their memories of him. One of them mentions him playing the stand-up bass that had an Elvis head and a little red sneaker on its foot that tapped in time to the music. I heard him play that bass many times over the years. The bass wasn’t at Black Cat with me, but a number of his quirkiest creations were: the red chiles, the watermelons, and the bass bass. (Note the knives in the watermelons.)
While I was there, I had the pleasure of meeting fascinating people. Some were buying my books. Some of were there to talk—about my writing, about their writing, about their travels and families, and more. A retired New Age pastor told me about the life she left behind in California and some behind-the-scenes tales of famous spiritual teachers—a bit like something out of one of my books. When people tell me stories, it helps me write stories. And surely, the spirit of Bill Bussman lent light and delight to us all.

Whole Series Price Drop

 

Book one in the Mae Martin Mystery Series, The Calling, is now $2.99, and the other books are now $3.99. Buy from your favorite store and stock up your e-reader.

Need to keep track of your place in the series? Here’s a guide to the dates and settings and sequence. Follow psychic and healer Mae Martin from North Carolina, where she first discovers her gifts, to her new life in New Mexico. Happy reading!

A New Mexico Mystery Review: Lost Birds by Anne Hillerman

The title refers to Navajo children who were adopted out of the tribe and raised without knowledge of their culture. Joe Leaphorn is hired as a private investigator by such a woman who hopes to find her Navajo family. Another lost bird is a woman nicknamed Songbird, not a lost bird in the sense of an adoptee, but a missing person. She is Leaphorn’s other case, as he’s been hired by her husband. And at the same time, the school where the woman was a music teacher and the husband works as a custodian is struck with an explosion. Bernadette Manuelito is brought in to help investigate.

The weaving of plot threads in this book is extraordinary. Navajo rugs and weaving play an important part—a rug found in the car of the missing woman along with the body of someone who might be her, and a rug in an old photograph that’s a clue to the lost bird, Stella’s, family history.

My sense of the whole book is of a masterpiece of weaving, of stories within the story. There’s the story of Cecil, the custodian, who narrowly escapes the explosion, fearing that someone did it to attack him. He has a terrifying experience, pursued by people to whom he owes money. Then there’s the story of Leaphorn’s beloved friend Louisa and her troubled adult son. When Leaphorn and retired Captain Largo race to be on time for a rescue, I couldn’t stop reading. It’s one of the most intense scenes in a mystery I’ve ever come across.

Though this book is layered with mysteries, chases, and moments of danger, it has none of the clichés, none of the tired tropes, of the mystery genre. It is entirely original.

The characters are, as always, portrayed with great depth. Navajo culture also portrayed with depth and knowledge. The family stories are woven fully into the plot, so you never feel like you’ve gone on a digression. The scenes at a trading post as Leaphorn discovers rugs that may be connected with his client’s Navajo family are quiet but profound and beautiful and just as absorbing as the more intense sections.

I was stunned by the end. I never would have thought that particular person had done that particular crime, and yet, as with any good mystery, it all makes sense.

It was a pleasure to spend so much time with Joe Leaphorn. He’s a character that Tony Hillerman wrote with insight, and Anne Hillerman has gotten to know Leaphorn equally well. I look forward to the next book in the series.