Tag: New Mexico mysteries

A New Mexico Mystery Review: Jemez Spring by Rudolfo Anaya

I wish I could say that Jemez Spring was as good as the rest of the series, but it’s not. I had to finish it because it wraps up the Sonny Baca series, but it doesn’t do the story cycle justice. Even Sonny himself is not as strong a character. He becomes something between a caricature and an archetype. I almost stopped reading early on, when Sonny—a private investigator—and a police detective are in the presence of the murder victim who died in a hot spring bath at Jemez Springs, and they derisively discuss the size of the dead man’s penis. At that point, I no longer liked Sonny. I thought, why is this episode here?

His girlfriend, Rita, was always simply an archetypal female ideal with no depth. None of the women in this book have any dimensionality except Naomi, the Jemez Pueblo potter. She has a personality. She’s original. I love it when she gets in Sonny’s truck and says, “You got spirits in this truck?” (One of the strongest characters is the ghost of Sonny’s late neighbor don Eliseo, riding in Sonny’s truck and giving him advice.) But like other women in the book, Naomi is an object of desire. The power players are all men, unless I slept through a scene that breaks that pattern

Between each important event, there are often three pages of digression on New Mexico politics, history, culture, and food, beautiful descriptions of the land, excessive backstory, discussions of whether or not dogs dream, and reflections on mythology. These side trips are masterful word craft and some could make good essays collected outside of a novel, but keeping track of the plot took patience.

The final confrontation between Sonny and Raven is in an intriguing setting and has some mystical moments, but it’s also full of philosophical discussion at a point when it deflates the tension instead of escalating it.

The outcome of the ongoing threat with the bomb made me feel as if the author had written himself into a corner and couldn’t get out of it, so he wrote it away into a trick. That’s almost as bad as “it was all a dream.”  I found flashes of delight in certain settings, good lines, and the few good characters, like the Green Indians, but I’m still disappointed in this work by an author whose books I normally love.

 

Book Ten Progress Report

I’ve been so busy writing the next book that I’ve neglected to write any blog posts. So, what have I accomplished?

I finished the first draft of Mae Martin Book 10 and have completed the first stage of revision—reading without making changes yet, taking notes as if I were critiquing for another writer. This is challenging. I see things I want to change right away, but why fix it if I might end up cutting it?

I grasped the importance of a theme I had doubts about I while I was writing, a theme relating to Mae, to Jamie, and non-ordinary spiritual experiences. It’s funny, but writing a paranormal mystery series, I sometimes pull back and ask myself, “Was that too paranormal?” But then I read through the work in progress and think, “That’s the best part.”

The book doesn’t have a title yet, but I’m leaning toward Wounded Healer. Here’s my first draft of the blurb:

Birdwatching, blackmail, and out-of-body travel.

A letter from Nashville gives Mae Martin hope that it’s safe to recover her psychic gift. The healing process is precarious and strange, but it’s also urgent. A friend’s two elderly dogs are lost, and another friend’s former lover has vanished. Spirit medium Azure Skye hasn’t seen her son’s father for twenty-one years. Then she hears his voice. Only the dead speak to her that way.

To learn his fate, Mae pushes her limits as a healer and seer, entering aspects of the spirit world she never knew existed—some beautiful, some dangerous. Will she find the missing man alive? What will his enemies do to stop her? And what will the effort cost?

*****

Prices on the whole series remain low on all e-book retailers. The Calling and Gifts and Thefts are $2.99 each, and the other books $3.99.

A New Mexico Mystery Review: Lost Birds by Anne Hillerman

The title refers to Navajo children who were adopted out of the tribe and raised without knowledge of their culture. Joe Leaphorn is hired as a private investigator by such a woman who hopes to find her Navajo family. Another lost bird is a woman nicknamed Songbird, not a lost bird in the sense of an adoptee, but a missing person. She is Leaphorn’s other case, as he’s been hired by her husband. And at the same time, the school where the woman was a music teacher and the husband works as a custodian is struck with an explosion. Bernadette Manuelito is brought in to help investigate.

The weaving of plot threads in this book is extraordinary. Navajo rugs and weaving play an important part—a rug found in the car of the missing woman along with the body of someone who might be her, and a rug in an old photograph that’s a clue to the lost bird, Stella’s, family history.

My sense of the whole book is of a masterpiece of weaving, of stories within the story. There’s the story of Cecil, the custodian, who narrowly escapes the explosion, fearing that someone did it to attack him. He has a terrifying experience, pursued by people to whom he owes money. Then there’s the story of Leaphorn’s beloved friend Louisa and her troubled adult son. When Leaphorn and retired Captain Largo race to be on time for a rescue, I couldn’t stop reading. It’s one of the most intense scenes in a mystery I’ve ever come across.

Though this book is layered with mysteries, chases, and moments of danger, it has none of the clichés, none of the tired tropes, of the mystery genre. It is entirely original.

The characters are, as always, portrayed with great depth. Navajo culture also portrayed with depth and knowledge. The family stories are woven fully into the plot, so you never feel like you’ve gone on a digression. The scenes at a trading post as Leaphorn discovers rugs that may be connected with his client’s Navajo family are quiet but profound and beautiful and just as absorbing as the more intense sections.

I was stunned by the end. I never would have thought that particular person had done that particular crime, and yet, as with any good mystery, it all makes sense.

It was a pleasure to spend so much time with Joe Leaphorn. He’s a character that Tony Hillerman wrote with insight, and Anne Hillerman has gotten to know Leaphorn equally well. I look forward to the next book in the series.

Shaman’s Blues 99 cent sale

No murder, just mystery.Book two in the Mae Martin Psychic Mystery series is 99 cents in all eBook stores through the end of January. The book that brings Mae to New Mexico!

 

Spinning Off

I’m letting the ninth Mae Martin Mystery rest a while, though I’ll be back to work on it soon. I’m taking an intensive course on revision and self-editing. Even after ten years as a published author, I can learn and improve. Meanwhile, I’ve begun the first draft of the first book in a spin-off series featuring Azure Skye, the Santa Fe medium who plays an important role in Soul Loss and in Shadow Family.

The creative challenges are exciting. The kind of mystery Azure will solve is different from the ones Mae is asked to handle as a psychic. Azure’s gift is communication with the dead. I’m disinclined to have her solve murders, but the question of how someone died has already come up. So far, it looks like Azure and Mae will need to collaborate to find the answer. Of course, I’m only on chapter two, and I don’t plot. I put the characters in a difficult situation and see how they react. Azure is in a situation only Mae can help her out of, and Mae has a problem she hopes Azure can solve.

The biggest challenge for me is that Azure wants to speak in the first person. I didn’t plan that she would, but that’s how she’s coming through.

Three of my novels use only Mae’s point of view, but I still had certain freedoms. I used prologues and epilogues in other points of view in two of those books. Mae’s visions as a psychic revealed events in in the restricted point of view of a silent witness. First person is the opposite of that. It gives me too much information to work with. I have to hold back some of what Azure knows, thinks, feels, and recalls about her past, her work, and the people close to her, in order to keep the story flowing. But I can share her inner life at the right moments more easily, since I never get outside her head.

Will I stick with first person or change to close third? I don’t know. For now, I’m getting to know Azure this way, like an actor exploring a role. Then I’ll have to set her story aside for about six weeks while I work on Mae’s most recent story in the revision class. Once that’s polished enough to send to my critique partners, I’ll plunge back into the spin-off.

*****

 Book two in the Mae Martin series, Shaman’s Blues, is on sale for 99 cents in all eBook stores though the end of January.

 

The Annual Whole Series Sale

All books in the Mae Martin Series are discounted through the end of January, on sale for $3.99 each .  Book one, The Calling, is free. The prequel, The Outlaw Women, is 99 cents, and book 7.5, the short story suite Gifts and Thefts, is $2.99. No murder, just mystery. No inflation, either. Available through all major eBook stores.