That’s not a typo. I have not been undermined at work. I’m rereading Guy Claxton’s Hare Brain Tortoise Mind, and he refers to the slow processes of creativity and insight as the undermind—the part of the brain that’s working beneath the level of verbal expression and logic, the part that can detect patterns the conscious surface of the mind misses. The part that creates what the surface mind cannot. I read the book eighteen years ago when it first came out, but I wasn’t writing fiction back then, just academic research papers. I perceive its ideas differently now.
On this reading, I see in it an explanation of how pantsing a plot works. Those of us who write that way often marvel at how we laid clues we didn’t know were there and how we brought in characters whose purpose was unclear at the time, but who later revealed…
View original post 458 more words