Now through April 5th, Shaman’s Blues, the award-winning second book in the Mae Martin Psychic Mystery Series, is on sale for ninety-nine cents on all e-book retail sites. Click on the title for sales links and more about the book.
Snake Face (Book III in the Mae Martin Mystery series)
Mae Martin is moving into the next phase of her life, what she’d been planning when last we saw her in Amber Foxx’s second psychic mystery, Shaman’s Blues. College in New Mexico has started and she cautiously enters a new relationship with Stamos, a fellow student with whom she later plans a road trip, given their destinations not far from each other.
Snake Face, B.R.A.G. Medallion honoree
Very soon after the novel’s opening, Foxx utilizes a blend of dialogue and omniscient narration to bring readers up to speed on where Mae has been until now, and it works like a charm. The passages also introduce the above-mentioned Stamos Tsitouris as he and Mae get to know each other and work out an agreement for cross-country travel. Stamos provides background regarding his former wife and Mae recalls Jamie Ellerbe—known professionally…
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Shaman’s Blues (Book II in the Mae Martin Mysteries series)
by Amber Foxx
A B.R.A.G. Medallion honoree
Second in Amber Foxx’s Mae Martin Mysteries series, Shaman’s Blues gives us a sneak peak into a dire moment in Jamie Ellerbee’s life, then re-opens with Mae Martin as she prepares to leave her Virginia practice where, until now, she offered energy healing and psychic services. A year since discovering her psychic ability, Mae is now in the midst of a divorce and about to embark on a journey to New Mexico, where she will attend university and re-unite with her father, who came out and separated from his family when Mae was a teenager.
Before leaving, her soon-to-be-former supervisor, Deborah, gifts a CD of healing music to Mae, with an “ulterior motive,” as Deborah playfully calls it. The musician, Jangerrai, seems to have disappeared off the face of the earth, or at…
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Snake Face, book three in the Mae Martin Psychic Mystery series, has been awarded a B.R.A.G. medallion. When I receive an award, I like to thank the people who helped me produce a book that earned one: my editor, Nancy Adams, my critique partners Jordaina Robinson and Janet Simpson, and this book’s third beta reader, Bette Kaminski, who helped me to make sure I had done justice to the touring musician’s life on the road.
Intrigued by the blend of world mythologies in Virginia King’s mystical psychological mystery, The First Lie, I asked her to write a guest post on how she wove mythical elements into her fiction. Virginia’s answer to that question follows.
Everyone, soon or late, sits down to a banquet of consequences. Robert Louis Stevenson
In The First Lie, Australian girl Selkie Moon has run away to Hawaii to escape a destructive relationship but she’s landed herself in the middle of a mythical nightmare. Her name already has mythic origins – her mother named her after the selkies, the Celtic seal people who peel off their skins and dance in the moonlight on human legs. Ironic, since Selkie almost drowned as a toddler and has been afraid of the sea ever since.
Now that she’s arrived in Hawaii, with mythical symbols lurking under every lava rock, a series of bizarre events beset her. It all begins when a voice wakes her from a dream: Someone is trying to kill you.
The First Lie was originally set in Sydney, my home town. The writing was going through a flat patch so I decided to re-energize by grabbing a camera and visiting all the locations in the story—a whole day on the road. The outcome of that fateful excursion wasn’t what I expected. I came home and burst into tears. None of the places spoke to me.
In desperation I dropped Selkie into a whole new location, Hawaii, and the story came to life. She was now a stranger in a strange place, so I was on a journey of discovery too. My editor wasn’t too sure about it: You’ve got an Australian main character in a Hawaiian setting, but you’re drawing on Irish/Scottish mythology (selkies); it’s difficult to make those disparate elements fit together cohesively. She suggested moving the story to Ireland or giving Selkie a Hawaiian name, but I did the opposite. I made it work.
I mingled the mythical elements across the cultures to see what happened. I don’t plan when I write because it stifles psychological layers emerging in the story. Instead, if I get an idea— no matter how bizarre—I drop it into the manuscript and let it ride, let it niggle away at me until something pops. It’s incredible how connections form—usually in the middle of the night—each time adding another layer of depth. I wake most mornings and decipher the notes I’ve scribbled while half asleep.
In Chapter One, Selkie sees something strange in a mirror. It once belonged to a Kahuna and has special powers. Mirrors feature in many real Hawaiian encounters with the supernatural and they drip with symbolism in fairy tales—remember the queen in Snow White. I allowed aspects of these elements to create their own consequences. The mirror inspires some mythic scenes later in the book.
The First Lie is not a retelling of the selkie myth, but selkies create their own psychological thread. The myth involves a fisherman stealing a selkie’s pelt as the selkies dance in the moonlight. When one selkie can’t find her skin, she has to go with him and be his wife. Then seven years later, she finds where he’s hidden it and returns to the sea without looking back. This is an issue of identity, of theft, of soul. I used these concepts to add depth to this modern mystery.
Pele, the volcano goddess, has been encountered by many real Hawaiians. She’s associated with warnings of danger, such as house fires and other mishaps. Selkie is being stalked by a mysterious woman. Could she be Pele? Then there’s the landslide on the highway that sends Selkie and her friends in the opposite direction. Or could the stalker be warning Selkie about one of her new friends?
For a Celtic connection, I created a fictional Hawaiian beach named by a homesick Irishman—only to remember in the middle of the night that there’s a place in Sydney with the same name, just near Selkie’s childhood home. Spooky! And there are monk seals in Hawaii—they’re aumakuas or animal spirit guides that look out for the living. Meanwhile in Europe, scientists have theorised that the sirens in The Odyssey, who lured sailors to their deaths with their singing, may have been based on the moaning of monk seals. Greek mythology too? Yes, because the oceans are interconnected. Add another layer.
Just to make my editor’s head spin, Selkie has a fondness for Chinese food. Chinese mythology adds another thread to the mystery. Cowry shells, hugely symbolic in the islands and around the world, were used to create the Chinese symbol for money—survival in a strange place is an element in the story. And the cooks in Selkie’s favourite noodle bar see something in her aura that no-one else can see—old friend from far away—the Chinese phrase for a memory. It plunges Selkie into a deep investigation of her past.
I had no idea how The First Lie would end until all the mythical layers and threads collided in the last chapter. I just had to trust that the banquet of consequences would be—as the Irish might describe it—grand.
Virginia King has lived most of her life in Sydney, but has travelled to many places. Sheʼs been a teacher, an unemployed ex-teacher, a producer of audio-books, a writer of fifty-plus childrenʼs books, and an award-winning publisher. These days sheʼs a full-time writer who paints a bit, living in the Blue Mountains west of Sydney with her husband.
Web site: http://www.selkiemoon.com
Next week, Virginia King and Marion Eaton and I will be doing a give-away for the first book in each of our series. Details will be posted Tuesday. (Marion was featured in an interview last month. https://amberfoxxmysteries.wordpress.com/2015/03/24/interview-with-m-l-eaton-the-mysterious-marsh ) We are fans of each other’s work and want to share that enjoyment with other readers who enjoy a touch of the mystical in a mystery.