A New Mexico Mystery Author Interview: Pari Noskin

Clovis_frtRecently I reviewed The Clovis Incident, the first Saha Solomon mystery, and today I’m happy to have the author, for an interview. Pari Noskin (aka Pari Noskin Taichert) garnered two Agatha Award nominations for her first mystery series originally from the University of New Mexico Press. Like her New Mexico heroine, Sasha Solomon, Noskin is a multi-year veteran in the PR industry. Her first three books are: The Clovis Incident, The Belen Hitch and The Socorro Blast. She is also founder of the Anthony-nominated blog, Murderati.com, and a national award-winning freelance features writer. In her new series, featuring television personality and psychic Darnda Jones, Pari leaves the comforts of the familiar and explores what it means to be truly connected to the natural world, to understand other creatures’ perspectives. That’s because Darnda is much more interested in communicating with non-humans than most people she knows. Don’t worry, Pari isn’t anti-social. She enjoys hearing from her readers whenever they take the time to send her a line!

*****

AF: I noticed in your notes at the end of the The Clovis Incident that many people in Clovis helped you witthe book. What it was like bringing this idea to them? Any favorite stories from your research?

PN: People ranged from amused to moderately concerned. One of the things that really has struck me through writing the first three Sasha books and working on the fourth is that my ideas about PR and marketing, of the places about which I write, often mirror what city councils and local tourism departments are already discussing. This was true a bit in Clovis; some people really wanted to cash in on the UFO angle. It has been even more striking with my subsequent books.

A favorite research story? Hmm. I learned a lot during the writing of this first book in the series. One important thing was that it takes time and knowing the right people to get at the kinds of information I wanted. I was fortunate enough to speak with some city leaders and influencers who were quite frank with me. I don’t know if they liked the final product, however. It seems to be much more popular with people who have either lived in and moved away from Clovis or live close by but not in the city itself. That said, it has sold very well there.

AF: I know nothing about the PR field so I found Sasha’s work fun to read about. She comes across as a creative risk-taker, someone who enjoys the gamble of bidding for a free-lance job over the security of something steady. Has your PR experience helped you as an author in addition to making it Sasha’s profession?

PN: My PR experience spans well over 30 years and it has been tremendously helpful in my professional and writing life. PR forces one to always consider the perspective of the audience. I don’t write to audience, per se, but I think about how my words and stories’ structure affect the end product… the telling of the tale.

I did work as a freelancer for several years. It was a great experience in forcing organization and nurturing a continual moxie when it came to thinking about projects — how to get them done and what angles would be most effective.

AF: I have a partially-formed urge to visit Clovis after reading this book, though I’m not sure why. If I follow up on it, what would you recommend?

PN: I don’t know if I’d recommend going there nowadays. One challenge in writing about local restaurants and other businesses is that things change. Life rolls on. The Clovis Incident was published long enough ago that I suspect there are far more changes than constants in that city. Roswell has changed quite a bit too.

AF: The next books in the series feature Socorro and Belen. What made you choose these locations? And Clovis?

PN: This may sound strange, but I write about places that have an identifiable personality and human center: a there there!  I can tell pretty quickly if a town or area will yield the kind of spirit and flair that will intrigue me and make a great location for a story. I also always start with a much deeper theme than what many readers ever perceive — with a big question that I want to explore. Some people never realize what I’m doing because they focus on the humor and the speed of the story. Other’s “get it.”

Belen with its artistic center and great aspirations for tourism made me look at questions around “What is art?” “Who has the right to define it?” And Socorro, with NM Tech there, was a fabulous place to explore the themes of interpersonal as well as national prejudice and intolerance …

I always fall in love with the places about which I write, too.

AF: What is your favorite place in New Mexico and why?

PN: Not fair. I love many places here. I’m a native through and through—born and raised in NM—and I know there are so many locations to discover. You know what my favorite place (characteristic) is in NM? It’s the space … the ability to drive for just a few minutes outside of ABQ or any other town and be in the middle of all of this glorious, stunning, gorgeous land. I love the colors of this often parched land, the hues of yellows, browns, pinks, reds, blues … I love that we can be right next to ancient history without expending much effort: the ruins of old pueblos, Tres Piedras’ petroglyphs, old towns, plazas, wonderful old cemeteries.

Driving around NM, I always wonder about the people who passed before. When I see a solitary road going off into the distance, I wonder who might live there, what life would be like in the middle of this possibility in a basically harsh environment. I find all of New Mexico, especially outside the cities, incredibly inspiring and intriguing.

AF: This is off the wall, but then the whole book is (in a good way). Do you speak Cantonese? I may have taken more interest in this than some readers, but I studied Mandarin for a year and had no idea how different it was from Cantonese until I read the scenes in which Sasha brushes off her language skills. From this and from the way you blended Buddhist beliefs about the dead into the story, I got the impression you were well-acquainted with Asian cultures. What’s your background in this area?

PN: That’s a fun question. Thanks for asking. I earned my undergraduate degree at the University of Michigan in Asian Studies and lived in Hong Kong for almost a year as a college student. Asian philosophy has interested me for decades; it also helps that my mother collected Asian antiques so I grew up learning about these cultures. Also, I’ve always been interested in other languages as windows into the way other cultures think and perceive the world. I’ve studied seven so far.

AF: In The Clovis Incident, Sasha meets some apparently sane, coherent, functional people (as well as some who are more on the fringes) who claim to have encountered aliens. Tell me about your sources for this material.

PN: All of the characters came straight out of my odd imagination. I study people and so some did remind me of folks I met along the way. But I made every single one of them up — from cell to cerebellum.

AF: When you start a book, do you know how it ends? What’s your creative process like?

I never know the ending. I really admire people who outline and know where their writing is going. I’ve tried. Believe me, I’ve tried. But I have to just jump in and start writing and see where the story and characters take me. It’s not a very efficient way to write and I end up throwing away a lot of words and concepts — far too many — but no other way works for me. I love the process of discovery and am grateful that I enjoy editing too.

AF: What are you currently working on?

PN: I’m actively working on the second book in my Darnda Jones series. The first one, Stung, is available electronically and will be, eventually, in print. Darnda was born in the Sasha series and I liked her so much I wanted to know her better. She is a psychic/telepath who works as a professional “pest controller” and has a television show doing just that. What makes her especially interesting is that she cares far more for insects, animals and most plants — and for the natural world and health of our planet — than she does for most human beings. She’s a deep and wonderful character. I really wish I knew someone like her.

Does it say something weird that I’ve actually created one of my own best friends?

Also, I’m part of a writers’ collaborative now, Book View Café, and we serve as a publishing house for each other. All of us are multi-published, so the quality of all of our work is very high. I like the independence of this model — rather than more traditional models — and the fact that I can write what I want rather than what might be expected. I’m also working on the next Sasha book. It is located in Las Cruces, NM and explores the chile pepper industry and organic vs big agriculture.

AF: Thanks for being my guest. I look forward to discovering Darnda.

*****

Follow Pari Noksin on Goodreads  and on Facebook .

 

A New Mexico Mystery Review: The Clovis Incident

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Until I read this book, all I knew about Clovis was that it was home to the Norm Petty recording studio, where Buddy Holly recorded his hits. It’s not one of New Mexico’s more famous places and seems unlikely ever to be one. This makes the premise of the book immediately appealing. Freelance PR pro Sasha Solomon is trying to get a gig promoting flat, unimposing Clovis as tourist destination.

She was doing PR for a health care company that included alternative therapies in it coverage, and in true Albuquerque/Santa Fe area style, she tried out so many shamans and other mind-body-spirit healers she had a kind of psychic meltdown, making her mental boundaries so porous she now hallucinates under stress. She’s been fired, and she needs the Clovis job.

The story gets more and more eccentrically New Mexican as Sasha looks into alien abductions as part of her PR plans to promote alien-seeking tourism in Clovis, (Her visit to alien-centric Roswell is a small but delightful part of the book.) Alien abductions also figure in a murder investigation, as do Sasha’s strange visions, when the body of a Singaporean military officer is found on a friend’s land.

The less colorful aspects of life in Clovis, from the military base to the farms and ranches, are portrayed with respect and realism in the framework of a humorous mystery. In a crucial scene set in the midst of a large-scale dairy farm, suspense and comedy run neck in neck.

Author Pari Noskin captures characters brilliantly, whether they are major players or walk-ons. Sasha is an original creation, likeable but far from sweet. Detective LaSalle grew on me. The longer Sasha had to deal with him, the more he was revealed in the slow, natural way strangers get to know each other.

Underlying themes include mother-daughter relationships, friendships, rural life, and romance in middle age, tied together through the mystery and laced with an inside look at the PR business. The mystery is multi-layered with so much entertainment that I sometimes forgot to try to solve it. I know a book is working when I respond to it as a story rather than a plot. It turns out that I did suspect the real culprit, but I never felt that the author had made it too easy to figure out.

Noskin turns some off-beat phrases, with a style unlike any other. Aside from Sasha’s appalling habit of taking shots of whipped cream straight from the can, I thoroughly enjoyed every page.

*****

My interview with the author will be posted in the next week to ten days. Meanwhile, you can buy the book and enjoy an unconventional trip to Clovis.

A New Mexico Mystery Author Interview: J. Michael Orenduff

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Last week I reviewed the Pot Thief Who Studied Georgia O’Keefe.

https://amberfoxxmysteries.wordpress.com/2016/01/01/a-new-mexico-mystery-review-the-pot-thief-who-studied-georgia-okeefe

I’m delighted to have the author as my guest today.

 Bio: Mike Orenduff grew up in a house so close to the Rio Grande that he could Frisbee a tortilla into Mexico. A former president of New Mexico State University, he took early retirement from higher education to pursue his career as a fiction writer. His many accolades as an author include the Lefty Award for best humorous mystery, the Epic Award for best mystery or suspense e-book, and the New Mexico Book Award for best mystery or suspense fiction.

AF: You’ve been a professor at various colleges. What did you teach? Which class did you most enjoy teaching and why?

JMO: I taught philosophy (primarily logic courses) and mathematics. The mathematics courses were what are now called developmental. They used to be called remedial, but someone decided that’s politically incorrect. That may be, but remedial is a more accurate description. It is no blot on students who are not skilled at math. Good math teachers are rare in the public schools, so students often show up at college unprepared for college level math courses. My courses were a remedy. My favorite teaching experience was the pre-algebra courses I taught at Central Wyoming College. Many of my students were from the Wind River Reservation. The most rewarding thing about teaching is not standing at the blackboard writing the steps of some arcane proof. It is having a student say, “I thought I couldn’t do math. But now I can.”

AF: What’s your favorite place you’ve lived outside of New Mexico? Could you share an anecdote or memory from that place?

JMO: I lived in La Serena, Chile for a summer while my wife was teaching at La Universidad de la Serena. It was an idyllic life. I shopped each day at the market for food and fresh flowers, both of which were waiting when my wife arrived home from work. La Serena is in the northern desert area of Chile, so it was like New Mexico except it’s on the Pacific Ocean. Albuquerque with a beach. And even more Spanish being spoken. Two of my favorite memories from northern Chile are seeing the southern cross in the beautiful clear skies and being stranded in a small fishing village twenty miles north of La Serena after travelling there in a collectivo (a taxi into which six people are crammed to go to a place with no bus service). It was easy to find a collectivo in La Serena, a large city. But Las Casetas was a village and had no collectivos. Hence, no means to return. As we stood by the road wondering what to do, a man in a small Japanese pickup pulled over and asked us if we wanted to go to La Serena. We crowded into a bench seat designed for two people and had a delightful conversation with him on the ride south. I offered to pay him. He declined. I offered to at least pay for his gasoline. He declined again, saying he was going there anyway, so no extra gas was being burned. He told us about his wife whom he obviously adored. When we arrived in La Serena, I finally coaxed him into accepting money by holding out enough pesetas to buy flowers and saying, “This is for flowers for your wife.”

AF: Your books make me want to pay more attention to very old Native pottery. What would be the best places to go for a (legal) pottery tour of New Mexico?

JMO: Of course the shops and museums in Santa Fe are the places most people associate with ancient Native pottery, but my favorite place is Western New Mexico University in Silver City. Their museum has the largest collection of prehistoric Mimbres Mogollon pottery and artifacts in the world, including pottery and artifacts of the Upland Mogollon, Casas Grandes, Salado, and Anasazi. And as an added benefit, you can tour the Gila Cliff Dwelling just north of town and see artifacts in situ and where the people lived who made them.

AF: You share my love of T or C. I noticed that every place you mention there is real. What about the places in Albuquerque? I found myself guessing that every location except Hubie’s shop might also be a real place, but I seldom dine out in Albuquerque so I’m not sure. Are they? What’s behind your decision to use actual places rather than fictitious versions of them?

JMO: You guessed it. Every place is real. The only fictional ones are Hubie’s shop and Dos Hermanas. All the other places are real, even Sharice’s condo. Georgia O’Keeffe said that she preferred painting flowers instead of models because flowers, “are cheaper and they don’t move.” I prefer real places because it’s easier to describe them than to make up new ones. And I like to give them free publicity.

 AF: What made you choose the White Sands Missile Range for Hubie’s latest pot thieving adventure?

 JMO: There were several reasons. Perhaps the most interesting one is a real event that happened there is 2001. A man hunting Oryx found a Chupadero black-on-white water jug dating back to around 1300. Where else could that happen? Especially the Oryx part.

AF: Why Georgia O’Keeffe in the title?

 JMO: After starting out with a bunch of dead white males with no connection to New Mexico, I finally tumbled to the realization that I should use people with NM connections such as D. H. Lawrence. Then I decided a woman in the title would be good. And I chose O’Keeffe because she is strongly identified with NM but also because I had a small personal connection with her. In 1985, I was serving as the academic vice president at West Texas State University, known as West Texas State Normal College when Georgia O’Keeffe taught there from 1916 to 1918. We were celebrating the 75th anniversary of the school’s founding and looking for something to make the event special. I decided we should ask O’Keefe to grant us the right to make prints of a painting she had done while teaching there and allow us to sell those prints to fund scholarships. I gave the task of approaching Ms. O’Keeffe to my wife, whose charm and grace were best suited to the task. And it helped that she is also an artist and an art historian. O’Keeffe granted her request. So Georgia O’Keeffe helped me raise scholarship funding and also inspired me to write the latest book in the series.

 AF: Who are your favorite mystery writers? What is it that makes them stand out?

JMO: In no particular order and with apologies to the many others whom I like but didn’t pop to mind: Simon Brett, Michael Bond, John Mortimer, Mary Jane Maffini, Aaron Elkins, Carl Hiaasen, Leann Sweeney, Lawrence Block (but only his Bernie Rhodenbarr series), and Tim Hallinan (especially his Junior Bender series). What makes them stand out is clever humor.

AF: Did you know you were going to write a series when you wrote the first Pot Thief book? Which book in the series was the most challenging for you to write and why?

JMO: I knew it was to be series, but I didn’t know the titles would all start with The Pot Thief Who Studied…. In fact, the working title of the second one was The Pot Thief Who Gazed at the Stars. What was I thinking?

The first was the most challenging because I had to create everything from scratch. The rest somewhat less so, but I try to have the characters grow and develop as people do in real life.

AF: Any idea what the pot thief will study next?

 JMO: Edward Abbey. Like Hubie (and me), he was a graduate of the University of New Mexico.

AF: One of my favorite writers—and a good match with Hubie. I look forward to it.

 

 

 

A New Mexico Mystery Review: The Pot Thief Who Studied Georgia O’Keefe

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This is not an interstate kind of a story; it’s a back road drive with a raconteur at the wheel. There’s a wonderful pot in a remote place, and it takes a bit of a hike and some excavation to find it. Brush off another layer, and there it is, an intact marvel of original workmanship. The old pots which the narrator, Hubie Schuze, admires were made by hand, not on a wheel, and their shape shows it. Not perfect—and not meant to be. That’s part of their character. This book is not shaped like a standard mystery novel, either. Don’t expect it to be. Just ride the back road. Hubie knows where he’s going (though you may wonder about that at times).

The prologue takes off like a rocket. Then, during the first few chapters, new readers may go through what I’ll call “orientation to Hubie,” getting used to the flow of his entertaining and often educational ramblings on topics historical, artistic, culinary, and unclassifiable. (Established fans of the series already enjoy this as much as solving the mysteries.) If you’re new to the Pot Thief and decide to start here, don’t worry, keep reading. Once Hubie gets out in the desert to illegally “rescue” an ancient pot, the story, his character, the setting and his deep reverence for the artifacts he finds and sells come together into a lively, colorful tale that’s both a clever mystery caper and a sweet, delightfully off-beat love story. There’s a lot of wordplay, for fans of that type of wit. However, the humor I liked most in this book was that which came authentically from characters and situations, and there’s plenty of it. Hubie’s sincere and awkward attempt to put his girlfriend at ease in a delicate situation is hilarious, all the more so because it comes from his heart. A sudden turn of events near the end is so perfectly timed and phrased for comic effect, I think my neighbors heard me laugh when I read it.

The New Mexico landscape and locations—from Albuquerque to Truth or Consequences to the vast emptiness of the White Sands Missile Range—are portrayed well. Hubie’s idiosyncratic meanderings are part of the New Mexico feel of the book. I can easily see him in the mini-park in the median in Truth or Consequences across from Black Cat Books and Rio Bravo Fine Art. I can’t decide if he would get on my nerves or amuse me if I sat with him—probably both—but he fits perfectly. (There seem to be a lot of smart, eccentric, single, middle-aged men in T or C.) Orenduff has created a unique character in Hubie, and his own style of mystery—intelligent, non-violent, and funny, with the murder aspect secondary to other puzzles. The red herrings are effective, the clues are laid well, the solution is surprising, and the end is satisfying.

If you haven’t yet discovered the earlier books in the series and want to start at the beginning, the titles, in order, are:

The Pot Thief Who Studied Pythagoras

The Pot Thief Who Studied Ptolemy

The Pot Thief Who Studied Escoffier

The Pot Thief Who Studied Einstein

The Pot Thief Who Studied D.H. Lawrence

The Pot Thief Who Studied Billy the Kid

The Pot Thief Who Studied Georgia O’Keefe (release date: Jan. 26, 2016)

 Next week I’ll have an interview with the author, J. Michael Orenduff.

 

A New Mexico Mystery Author Interview: Ann Myers

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I’m happy to have Ann Myers, author of the Santa Fe Café Mysteries, as my guest today.

AF: Where did the inspiration for this story begin?

AM: Bread! I love baking and trying new recipes. I was baking up pan de muerto around the time I was brainstorming a culinary cozy and thought it would make a great title. Plus, it’s a marvelous bread, like a brioche but even better with anise and orange flavors and you can shape it like a skull and crossbones. What other bread has all that?

AF: Your book shows your love for the City Different. What’s your history with Santa Fe?

AM: This is where my main character Rita and I share a bit of similarity (along with our inability to dance). I’m originally from Pennsylvania and have lived in Louisiana, Japan, Ohio, and Florida and now Colorado. All great places, but like Rita I was instantly enamored with New Mexico and Santa Fe. Lucky for me, I get to go there a lot since moving to Colorado ten years ago. My husband researches water issues in New Mexico. It’s a never-ending project, and one I heartily encourage since it means summers and holidays in Santa Fe.

AF: Rita’s appreciation of food, kitchens, kitchen gadgets, and the art and meaning of cooking makes me think you must be a great cook yourself. Have you ever done it professionally or are you an enthusiastic amateur?

AM: Just an amateur cook and a very enthusiastic eater. Perhaps a little too enthusiastic? And, yeah, kitchen gadgets…I have a bit of a problem there too. Do I really need that raclette griddle that’s been languishing in my basement for years? Or the heavy cast-iron ebelskiver pan I was sure I’d use all the time, or the ice cream maker? Surely I’ll be making ice cream and round pancakes any moment now, so of course I’m hanging onto them. Lately, however, I’ve gotten better about sticking to small items, like cute old cookie cutters and cookbooks. You can never have too many cookbooks…

AF: What’s your favorite Santa Fe restaurant and why? You mention a few real ones in the books. Is that your tribute to them? And is Tres Amigas based on a real place?

AM: Oh, what a hard question. Santa Fe has so many great restaurants. My husband and I have a long list of places we have to visit when we’re in town, and the list keeps getting longer. One of my favorites is Tune-Up Café, which I couldn’t resist mentioning in the book. They make the best breakfast chiles rellenos with fried eggs and refried beans. So good! I also love Clafoutis for their fabulous French pastries, and I can always go for sopapillas, something I’d never make at home. I draw the culinary line at deep frying.

Tres Amigas is all fiction, or perhaps a mashup of some of my favorite cafés. I wanted someplace warm and cozy, serving up comfort-food favorites. The place I dream of having down the street from my house.

AF: I found details like Cass’s process making jewelry of fascinating. What was the most fun part of researching the book? What was the hardest part?

AM: Thanks! At the time I was writing Bread of the Dead, a friend and I were trying our hands at soldering and jewelry making. “Trying” is the key word for me. Whereas my friend was merrily wielding a giant flame, I was terrified by my tiny kitchen torch (which can melt metal, by the way). I did manage to master crème brûlée, and I learned a lot of about jewelry making, which I added to the book with Cass’s character.

Researching the food was also fun—and tasty! I’ve acquired a big stack of New Mexican cookbooks, including some great older ones with recipes from home cooks. Some of the recipes are simple in terms of ingredients but turn out so delicious. Like green chile stew, a basic stew but with loads of roasted green chiles. I’ve also enjoyed learning about Pueblo culinary traditions, both through reading and—better yet—attending Pueblo feast days, when residents invite family, friends, and strangers into their homes to eat. Such generosity and an amazing culinary feat to keep up a buffet for unknown numbers of guests. I always think of my family and how we’d stress out seeing hungry people lined up on the sofa, waiting to rotate in for a place at the table.

One of the research challenges I hadn’t anticipated was fitting my fictional places into the real landscape. Rita’s casita, for instance, is on a well-known street, although I didn’t have a particular address in mind. For Tres Amigas Café, I had a general idea of the location, but after my husband read the book, he thought it was somewhere else. In Feliz Navidead, I added an entire fictional hotel to the historic downtown since I wouldn’t want to be staging murders in real places. That took a lot of walking around and scoping out empty lots and worrying about how to make the fictional setting mesh with the actual one.

AF: Who are your favorite authors—mystery or other?

AM: I’m a huge mystery fan. It’s hard to pick favorites, although I adore British mysteries, such as those of Martha Grimes and Elly Griffiths. I’m also always reading cozy mysteries of all sorts. I love the everywoman heroines of cozies, as well as the craft/culinary/DIY themes. I’ve also recently discovered audiobooks, which I listen to at the gym or when working around the house. My local library has all the Hamish Macbeth mysteries on audio, and I went through at least a half-dozen while painting our house this fall. Fun to hear the Scottish accent read aloud and to imagine the bleak moors.

 AF: Tell me about your work in progress.

AM: Two more Santa Fe Café Mysteries are with my publisher right now! Cinco de Mayhem will be out in March 2016, just in time for Cinco de Mayo. In this book, Rita takes on a bully French chef, a corrupt food inspector, and a killer to help her friend Linda. She also has to come up with a perfect dinner date menu, a Southwest-French feast featuring a green chile and cheese soufflé.

The third book, Feliz Navidead, let me think of Christmas all last summer. So much fun, but also a little difficult to conjure images of snow and farolitos when sitting in front of a swamp cooler in our broiler Santa Fe rental casita. I won’t give away too much, but there is a devil involved and pie. I’m still trying to settle on the perfect pie recipe. So far I’ve tried a green chile, apple, cheddar (wow!) and a pumpkin brûlée. I’m thinking chocolate and red chile with a cookie crust should be next. Or maybe I’m delaying to have an excuse to make and eat more pie…

AF: Is there anything I didn’t ask that you’d like to share?

AM: How about a recipe for New Mexico’s official state cookie, the bizcochito? It’s a yummy, anise-flavored shortbread cookie, perfect for any special occasion and the upcoming holidays.

Bizcochitos

Bizcochito traditionalists swear by lard for the proper flavor and texture. If you can’t find good lard, or prefer not to use it, shortening or butter can be substituted. You can also spice up your cookies by adding some chile powder to the cinnamon sugar. Delicious!

Makes three to four dozen cookies, depending on cookie cutter size

Ingredients

1 c lard (or butter or shortening)

1 c sugar

2 eggs

2 T anise seeds

1 t vanilla extract

½ t salt

¼ c brandy, sweet wine, or an anise-flavored liqueur, OR apple or orange juice

4 c all-purpose flour

1½ t baking powder

Cinnamon-sugar topping

¼ c sugar

1 t ground cinnamon

¼ t (or more) red chile powder (optional)

Directions

Preheat oven to 350°F. Line a baking sheet with parchment paper. Using a stand or hand mixer, in a large bowl, cream the lard or butter until it is light and fluffy. Beat in eggs, sugar, vanilla, and anise seed.

In separate bowl, mix together the flour, baking powder, and salt. Stir the lard mixture into the dry ingredients, along with the brandy (or juice). Mix until you have a dough that is soft but not sticky. If you’re baking in a dry region like the Southwest, add a little more orange juice or brandy if the dough seems too shaggy or stiff. Form the dough into a ball.

Place on a lightly floured surface and roll out to about ¼ inch thick. Cut the cookies out, using your favorite cutter. Small round or rosette shapes are popular. You can also forgo a cookie cutter and simply cut the dough diagonally to form diamonds. After cutting, dip the front face of each cookie in the cinnamon sugar mixture (you might have to press the sugar in and/or sprinkle a little extra sugar on top). Place the cookies on the baking sheet, leaving a little space in between.

Bake until lightly golden and puffed, about 11 to 13 minutes. Cool on a rack. Bizcochitos store well in containers, if you can resist eating them all.

*****

Thank you, Ann. This has been delightful.

For more about the Santa Fe Café series and more recipes, go to http://www.annmyersbooks.com/

and https://www.facebook.com/AnnMyers.writer

 

A New Mexico Mystery Review: Bread of the Dead

 

bec99b44a2fd5c6e3780eab3ea253edbIn some ways this is the coziest of cozy mysteries, full of food and folk art, but in other ways it’s not typical of the genre. The victim is not only important to the amateur sleuth but to the reader. He’s the most deeply appealing and complex character in the story. In a light sort of mystery, the loss of such a person is unusual. It gives the protagonist a strong reason to do that otherwise unbelievable thing—amateur sleuthing—and it also makes the story function on two levels: solving a puzzle with all the usual elements of a cozy; and contemplating life, death and legacy, good works and grieving. The mood and meaning of the Day of the Dead festival—reconnection with the beloved departed—is central to the story and is set beautifully at the beginning.

Myers has a wonderful way with words and uses culinary imagery with flawless precision, true to her narrator’s point of view. Foodies will love this book. The amateur sleuth, Rita Lafitte, is a cook, and the food theme is woven smoothly throughout. Recipes and their meaning to friends and family form a framework that turns the plot in a way that even a kitchen-impaired reader like myself could enjoy.

The Santa Fe setting is rendered in detail that will satisfy any would-be visitor who hasn’t been there yet and wants to take a fantasy trip, and will spark memories for those who have visited before. At times, I felt as if the author had tried a little too hard to fit as much local color in as possible, but overall the portrait of the City Different and its environs was painted well, from Pueblo speed traps to purple taxis to the famous Plaza—and the food, of course.

A few of the characters and events are entertainingly over-the-top, while others are realistic, another aspect of this book’s dual personality. I found the spiritual materialism of Broomer, the irritable owner of an expensive Zen garden, unfortunately true to some aspects of Santa Fe life. The arts center for teens reflects a fictitious version of a real and vital part of the city.

I can’t say why I suspected the real culprit early on, and I was frequently thrown off the trail by other suspects and plausible motives. The final solution and the revelation still came as a surprise, as the various strands of the story came together in one of the most elegantly crafted discovery scenes I’ve read.

If you’re a cook, you’ll enjoy the final section: recipes for foods related to the story, including the Bread of the Dead.Day_of_the_Dead_Coyoacan_2014_-_136

Next week, look for an interview with Ann Myers.

http://www.annmyersbooks.com/

https://www.goodreads.com/book/show/24392805-bread-of-the-dead

 

 

A New Mexico Mystery Review: Murder on Sagebrush Lane

Murder on Sagebrush Lane

Patricia Smith Wood’s second book in the Harrie McKinsey series picks up three years after the events in the first, The Easter Egg Murder. During the elapsed time, editor Harrie McKinsey has married an FBI agent, giving her a natural connection with law enforcement. Wood’s blend of detective work by police, FBI, and a believable amateur works well again. I say a believable amateur because while Harrie handles the stress of the situation with courage, she is affected by it in the way one would expect a non-professional to be. Harrie’s intuitive dreams play a smaller role in this book, but remain part of her motivation to ask questions about a murder.

The crimes in this book revolve around an important place that may not immediately come to mind when people think of New Mexico—Sandia National Laboratories. The attempted sale of government secrets from this research facility in the Albuquerque area and the murder of a Sandia Labs employee are the central mysteries. Alongside these runs the question of what will become of the blood-stained toddler who shows up in Harrie’s flowerbed the morning of the murder. The suspense is strong and Harrie is often in danger, but there is little violence onstage. The bloodiest event has already taken place when the story begins.

A reader could start with this book and go back to the first without feeling the sequence was a problem, aside from the minor issue of a lack of physical descriptions of some of the returning characters. The relationships are established clearly without an excess of backstory.

Wood manages a large cast of characters in complex scenes remarkably well—not an easy feat—as well as the interactions of multiple investigative agencies. She delivers a satisfying string of revelation scenes toward the end, none of which is the conventional confrontation-confession. Once I finally found out whodunit, I realized that the clues were there, but that I’d been sidetracked by all the other possibilities. Readers who like to give their brains a workout trying to solve a mystery will enjoy this. It’s tight, precise, and effectively paced, with every chapter turning the plot through yet another unexpected twist.

A new character I found particularly strong and engaging is Sgt. Cabrini Paiz of the Albuquerque Police Department. She deserves her own series, or could share the lead in this one, should the author be so inclined. There are precedents for this sort of shift. When James D. Doss wrote his first book, The Shaman Sings, Granite Creek Colorado police chief Scott Parris was his primary detective. Southern Ute Tribal Investigator Charlie Moon (nephew of the shaman of the title) showed up to assist him, and in that way that characters have, Moon took over. Not the investigation, but the author’s creative mind. The series became the Charlie Moon series, with Parris moved to a major supporting role. I like the books featuring Harrie, but I think Sgt. Paiz has equal potential as the protagonist of a mystery series, and I hope to see more of her.

 

Related posts:

Patricia Smith Wood

https://amberfoxxmysteries.wordpress.com/2014/12/02/a-new-mexico-mystery-author-interview-patricia-smith-wood

https://amberfoxxmysteries.wordpress.com/2014/11/25/a-new-mexico-mystery-review-the-easter-egg-murder

The convention of the confrontation and confession

https://amberfoxxmysteries.wordpress.com/2015/02/23/stop-talking-and-shoot-the-guy

 

 

A New Mexico Mystery Review: The Pot Thief Who Studied Pythagoras

Pot thief 1

There is no sub-genre within the mystery genre that could classify this book, and I mean that as a compliment. Pot thief and pottery shop owner Hubie Schuze is so unlike any other protagonist in a mystery series, I can’t compare this to other books and say “it’s like X.” It’s not.

So what is it like? Albuquerque.

I suspect Hubie might cringe at the phrase “Keep Albu quirky,” but it’s not a bad way to introduce him and his way of looking at the world and loving his city. Orenduff has a knack for describing people with a few clear images that pick out their defining peculiarities, positive or just plain odd, and this seems to be integral to Hubie’s point of view. He sees people as they are—and sees himself as he is, too, with humor and humility despite some strong opinions. His delightful digressions are as essential to the flavor of the book as seasonings are to a good meal. One of his rambles is on the benefits and pleasures of walking in the city compared to driving, and it fit with the way I felt while reading. I had such fun being in the moment with Hubie and his friends that I forgot to try to figure out whodunit.

Hubie figures it out, of course, and the end is surprising. I wouldn’t have seen that coming even if I had been trying to solve the crime. Don’t let my drifting with the Tao of Hubie make you think this book is unstructured. It isn’t. Multiple intriguing subplots—adventures that are sometimes humorous and sometimes simply human—are interwoven with the mystery plot.

Hubie’s capacity for friendship and generosity is on equal footing with his inclination to break a few laws. It’s this combination of rogue and good guy that makes him so engaging. The acts of kindness as well as the minor crimes Hubie commits while solving a major one kept me looking at the scenery, walking, appreciating every step of the way.

 ******

 My interview with J. Michael Orenduff will follow my review of the newest book in the series, The Pot Thief Who Studied Georgia O’Keefe. I’ve had the pleasure of reading it early, before the ARCs come out. Keep an eye out for that review and interview in the upcoming months. Meanwhile, get into the flow with Hubie with this first Pot Thief book.

 

 

 

 

 

New Mexico Mystery Author Interview: Vanessa A. Ryan

PaletteForMurderFront-(w)V.Ryan copy

Vanessa A. Ryan is an actress in Southern California. She was born in California and graduated from UCLA. When not writing or acting, she enjoys painting and nature walks. Her paintings and sculptures are collected worldwide. At one point, she performed stand-up comedy, so her writing often reflects her love of humor, even for serious subjects. She is the author of A Palette for Murder, A Blue Moon and the trilogy Horror at the Lake. She lives with her cats Dezi, Teger and Riley, and among feral cats she has rescued.

The art works featured in this interview are by Vanessa A. Ryan

AF: How did this book start? Tell me about your creative process.

VAR: The book started with a visit to Santa Fe. Originally, the story took place in Los Angeles but ended up in Santa Fe. But when I moved to Santa Fe, I changed the focus of the story to Santa Fe, with brief forays into California. Regardless, the ending of the story is similar. In fact, when I lived in Santa Fe, my house burned down and I lost the last version of this novel that was in my computer. I found half of an older version of the manuscript on the upper shelf of a coat closet. Everything below the shelf had burned, but the first half of the manuscript was intact, as well as the last page of it. I was overjoyed when I found the manuscript until I realized it wasn’t up-to-date and not all of it was there. I set it aside for quite a few years until I rewrote it last year.

AF: Amazing. It sounds as if this book was meant to be. What’s your relationship with Santa Fe?

VAR: I had visited Santa Fe a few times and then I lived there for several years.

AF: Tell me about your research. Did any of the galleries bring you behind the scenes?

VAR: I have exhibited my work in Santa Fe so I know the art scene. I also have an artist friend who lives there and keeps me informed about the galleries. I didn’t go behind the scenes for the book, though I have on other occasions.

Ryan_Collage Series City Rain 54in x 54in acryl and wood on canvas 2009Ryan_Collage Series The Lake 54in x 54in acryl and wood and canvas collage on canvas 2009

AF: Have you done work like Lana’s job in the insurance industry? You seem to know the business inside out.

VAR: I wrote a series of articles for an insurance correspondence school as a freelance job, which is how I learned about that industry. Also, my first job out of college was a claims examiner for a large insurance company. I didn’t go in the field, but stayed in the office taking statements and writing up claims.

AF: I’m curious about that Picasso. Is this based on an actual or rumored work of his?

VAR: The last Picasso isn’t based on the last painting he did. It’s fiction.

AF: I noticed you used a blend of both real locations and fictitious ones. How did you go about deciding when to fictionalize and when ones to use real names? (Example: Suique Pueblo, fictitious; Canyon Road, real.)

VAR: I did that for legal reasons. My publisher has guidelines on this issue that I had to follow. I didn’t want to write about an actual tribe, but using real streets and towns, as long as they didn’t pertain to an actual address or business, was okay.

AF: Lana is pretty darned fearless, not only about getting hurt but about getting caught. Is she like you? Or is she pure invention?

VAR: She’s more invention than not. What we have in common are blond highlights, a disdain for snobs and a driving curiosity to know things. I wanted a character who is a little gutsy and not afraid to delve into the unknown. While I’m as curious about things as she is, I have a healthy respect for danger and I like to stay away from it. But I am as outspoken as Lana is fearless. And sometimes that gets me into trouble. I guess that’s my version of living dangerously. And if there’s something I want to know, I like doing detective work—just not in person as Lana does—only online, on the phone, or by researching articles and books.

AF: If you could spend a week in Santa Fe doing anything you wanted, what would you do?

VR: I would check out the scenery, the art galleries and hang out in some of my favorite watering holes. Like Lana, I don’t drink but I enjoy being in a crowded bar. More conversation to eavesdrop on for my next book.

AF: Is there anything you’d like to add?

VR: I hope readers will enjoy Lana’s adventures and the strange and haunting landscape of New Mexico.

Vanessa Ryan blue, yellow, green triptych 3-12 inch square paintings

 

Follow Vanessa A. Ryan at

http://vanessaaryan.com

https://twitter.com/Vanessa_a_Ryan

https://www.facebook.com/VanessaRyan33