Surprising Myself

Multiple times in the past few months, I dropped my car key while running. My new Amphipod water bottle has a smaller pocket on the hand strap than the old one did, so I couldn’t fit the key with its great big head in the pocket anymore. It was either poking half-way out or dangling from my little finger. When I shifted the bottle from one hand to the other, it was easy to drop the key. After each drop, I told myself I would pay more attention. But I don’t run to pay attention to my key. I’m either brainstorming a scene in a book, admiring nature, or doing both.

I sometimes a route that doesn’t go in laps of a circular trail but along a stretch of sand above Elephant Butte Lake and back. I’ve never measured it, but it takes as long as five miles did on another trail. Not a great distance for marathoners, but it’s my usual. I changed the bottle from right hand to left at the turnaround point and didn’t notice my key was missing until I got back to my car. My phone and spare key were locked in the trunk.

No point in fretting or in objecting to reality. I had no choice but to run back. After a windstorm, the sand was freshly rearranged, and my tracks were easy to retrace. But the sand was soft in places where the key could have vanished. I could have dropped it into a lizard hole. Or a well-meaning person could have picked it up.

Seeing a park ranger’s truck on the dirt road above the beach, I pulled up my mask, waved, and ran to him. He loaned me his phone to call my roadside assistance club, and then I ran on, in case I could find the key.

It lay exactly where I’d turned around and switched hands on the water bottle. I ran back to my car, speeding up so I could get to my phone and cancel the lock-out service.

I did it! Success!

Almost. I was in the middle of the call when the ranger showed up, escorting the wrecker to my car.

Insights from this adventure:

  • I can make the same mistake five times before I learn from it.
  • I can be creative with what I have on hand: I crafted the world’s smallest fanny pack using the pocket from my old Amphipod bottle. My key will go in it.
  • And I can run double my usual miles.

You never know what you’re capable of until you do it.

Continuing Education

I just finished a two-week intensive course on plot arcs. Writers aren’t required to get CECs the way health and fitness professionals are. I don’t have to renew a certification or have to take a certain number of courses per two-year period to prove to anyone that I’m keeping up my skills. But I have to keep learning.

People sometimes ask me why I go all the way to Albuquerque to take yoga classes every couple of weeks, classes I don’t get CECs for. The other teachers in T or C are good, after all. But they’re my peers. We’re equals. While I enjoy their classes, I also want to study with someone more advanced than I’ll ever be. I get excellent critiques from other writers, my peers, but I took a class with my editor’s editor.

It forced me to outline my work in progress before I completed the first draft, which I don’t usually do until I’ve improvised the whole plot, so it was challenging. I’m not sure my outlines made sense. But the ideas the instructor brought to the course did. Her structure for pacing and tension, for weaving in secondary storylines, and the key elements that need to take place in various portions of a book, will help me when I revise. She said she admired my bravery in staying with my “pantsing” (writer-talk for flying by the seat of your pants through the first draft) style while being required to outline. Maybe that was a diplomatic word for stubbornness. I don’t think I was brave. It’s just how I create. When I make plans, my characters seldom go along with them. I look forward to applying what I learned in the course when I do the major revisions in the second draft—once I know what everyone is up to.