Coyote on Broadway

Broadway, Truth or Consequences, New Mexico, that is. I saw the little canine trotting past the Bank of the Southwest after Art Hop on Saturday night.  He seemed in a hurry to get out of town, crossing our main drag and hustling down a side street toward the river. I hear his relatives across the river in the desert sometimes. The other night they were singing on Turtleback Mountain. They’re so musical, especially compared to the dogs who try to answer.  A few years ago I used to hear a donkey who tried to sing back—not very melodious either. Wildness has a sweeter voice.

One thing I love about my town is its closeness to the wild, though I’d rather not join the ranks of people who’ve found rattlesnakes in their yards. I can walk to the Rio Grande in a few blocks, the same route the coyote took, and watch the bats come out over the wetlands at sunset, or go into the desert and look for tarantulas coming out of their burrows after a monsoon rain. I only found one once—a velvety multi-legged shadow half-way out of her hole. When I run in the desert at Elephant Butte I encounter quails and lizards and jackrabbits on the trail, and very seldom any of my own species. I once surprised a mule deer that was sleeping under a juniper. With its size and the speed of its explosive take-off, it gave me an equal start, but probably a lot more pleasure than I gave it.

Santa Fe has a little wildlife, too. Gunnison’s prairie dogs are inclined to live there. The city has a relocation program, catching and releasing them into select wilderness areas, but there’s still a little dog town above the almost waterless Santa Fe River on Paseo.  I like walking past them. They’re smart, and have a complex language. I’ve heard that they recognize people and talk about us. Standing upright at the edge of their holes, paws folded on their little bellies, they stare back at me a long time before they scamper and squeak. Maybe to them I’m the wildlife that’s wandered into their city.

 

 

A Visit to my Old Home, the City Different, Santa Fe

My favorite statue of St. Francis in the royal city of his holy faith is the one near City Hall where he’s shown as a lean, bearded monk standing and looking down at a prairie dog, while the little creature looks up at him in that curious, fearless way they have, paws on belly, making eye contact. I spent a little time with this sculpture while waiting for the street party in front of City Hall that never materialized on June 28th—or maybe it did, but every time I wandered back in hopes of free music, there was still only a block of Marcy Street closed with orange cones, security people on the corners, and a lone man break dancing to recorded hip hop. I suppose the live music eventually showed up, but I went to Blue Rain to look at new works there, came back—no party—and wandered off and discovered the new RC Gorman gallery. Still a lovely evening, being a tourist where I used to live.

One of my goals on this trip—along with a workshop and classes at Yoga Source—was to see the Judy Chicago exhibit at the New Mexico Museum of Art. Chicago has lived in New Mexico for twenty years. With her husband, photographer Donald Woodman, she has created some powerful, thought-provoking images in Nuclear Wasted, and in the Holocaust Project, some portions of which are in the NMMA exhibit. http://www.judychicago.com/gallery.php?name=Holocaust+Project+Gallery

This article in New Mexico Magazine made me want to see it, and it describes the nature of her work so well, I won’t try to do it over. She’s astoundingly versatile, and  can shake you up, charm you, or touch your spirit.

http://www.nmmagazine.com/article/?aid=85934#.U7DWKNhOXMw

After leaving the museum, I walked around town letting intuition guide me. The local artists’ show behind the bank downtown is always good. I acquired a tiny print by Joseph Comellas that is so radiant and deep I could fall into it. I’ve loved his work for years, and wish I could find images online to share. His style is unlike anyone else’s. I could try saying O’Keefe-like for colors and landscapes, but he uses shapes very differently. Each of his paintings is an experience, a moment in light and land so intense it’s like he found the true nature of the place in colors seen by the soul.  I kept turning around to look at the print as I wrote this. It makes my heart glow.

When I stopped by Whole Foods, the small one on St. Francis, I noticed a bookshelf on my way out. It was labeled Good Reads for a Good Cause. Donated books are sold to support something charitable—Whole Planet Foundation projects, I think. I felt compelled to put a copy of Shaman’s Blues on that shelf. (I happened to have books in my trunk.) If you’re in Santa Fe you can grab it for a very low price if it’s still there. When I donated the book I wasn’t thinking about the fact that a scene in it takes place in that store. I like to imagine the reaction of the reader who snags that bargain when they get to that part.

I ended the long weekend with Country Night at Bandstand on Monday. As the crowd warmed up, dancers of all ages and ethnicities and shapes and sizes gradually filled the dance space in front of the gazebo on the Plaza, partners’ arms weaving a pattern of twists and turns in time with the music. I got a kick out of three little girls in red cowgirl boots, and their mother who had apparently taught them how to dance. The children partnered with each other, or with Mom, who looked like the happiest woman on the planet that night. If I still lived in Santa Fe, I’d go to just about every Bandstand show all summer.

Check out these acts:

http://www.jamescarothers.com/

https://www.youtube.com/watch?v=Zn2aDfsKqRc

The YouTube video is last year’s performance by Sim Balky and the Honky Tonk Crew, and it’s the whole show. You can see the dancers, the Plaza, and of course one heck of a good band.

Happy Feet: Celebrating Four Years of Barefoot Running

Four summers ago I was staying in in the same eccentric roadside motel in Maine where I am now, and I’d brought  Chris McDougall’s Born to Run as my vacation reading material. I loved everything about the book—the colorful characters who take part in ultra-marathons , the Tarahumara runners, the settings from Leadville CO to the depths of Copper Canyon in Mexico, and of course I was fascinated by the research. Having spent much of my working life in either the fitness industry or in various colleges’ departments of Health Sciences, I paid close attention to the information on the development of the modern running shoe and on the mechanics of barefoot running. I had to try it.

I’ve never run on pavement except in my few races, even when I wore conventional shoes. I always ran trails and parks. This motel has a huge lawn all around it, a green perimeter bigger than quarter-mile track. One day I ran in my conventional, cushioned running shoes, and the next day I ran barefoot. Born to run? Born again! I didn’t want to stop. This lawn was the perfect place to run with no shoes at all. Most places have too much in the way of thorns, rocks, sticks or dog poop for me to want to run skin-to-earth, but this was a cool green carpet all the way. I knew better than to do my usual distance with this new technique, but my soul wanted to. Flying on the rebound from that soft landing reminded me of the way I felt back when I was a ballet dancer, taking off in a soaring leap or a springy allegro, wearing only those pliable slippers.

When I got home I invested in Vibram five fingers, and I soon felt like I’d gotten a new right knee. After running in the old cushioned shoes with a heel strike, my right kneecap used to stick so badly for thirty minutes or so that I could hardly go upstairs. Barefoot, no sticking. Because of that I couldn’t bring myself to transition as slowly as I should have, so I earned sore calf muscles and a cramp in my flexor hallucis longus (a big toe muscle) that I could feel all the way up the back of my lower leg. The scene in Shaman’s Blues where Mae overdoes her first two barefoot runs, with a cascade of consequences, was informed by that experience. I didn’t cramp my legs as severely as she does, but then I didn’t go to Santa Fe Bandstand and dance for hours afterward. The worst thing that’s happened to me running in my barefoot shoes has been stepping a big thorn that reminded me to update my tetanus shot. Compared to the sticky patella or the sprained ankles from falling off those old high-heeled marshmallows, an occasional thorn isn’t bad at all.

I celebrated my barefoot running anniversary today with four miles of mindlessly blissful laps around the grass. I did go dancing afterward, but with four years of training my legs and feet are up to it. Cap’n Frank Bedell and the Torpedoes were playing at Schooner Landing in Damariscotta. People of all ages, locals and tourists, partied to great old rock’n’roll on the pier with a view of the Damariscotta river and the boats on the blue water. I danced with happy feet.

 

A Strange Beauty

New Mexico Magazine has recently been featuring items from its archives on its back pages. This poem from the June 1953 issue was resurrected in the June 2014 issue. There are lines in this poem that ring so true I wish I’d written them and others that sound forced or stilted to me. I’m sharing the whole thing so the gems can shine in their setting.

 

Where Whisper the Rocks

 

“Which state is your favorite?” the man asked

            “New Mexico …”

Sharp-clipped the answer came, and positive.

“Which part?”

            “The Southern part, the desert.”

As sharp the syllables, as positive as before.

“I love it. The Northern part, too—

That stretch, now, from Santa Fe to Taos,

The Sangre de Cristos, the Cimarrons—

There’s beauty and grandeur there—

But the desert …

That part from El Paso to Lordsburg,

And up to Santa Rita where

Prays the Kneeling Nun at nature’s rocky altar …

I’ve never known wherein lies its allure

Except that it takes hold of man

Like the spirit of the one woman he cannot do without.

A strange beauty the desert has

And a harshness that’s soft as love itself

To the heart that feels it …

            Yes, I’ll take the desert, friend

            And I’ll take it in New Mexico

            Where Whisper the rocks themselves,

            ‘Vaya con Dios, amigo.’”

By Sam Lesky. New Mexico Magazine Vol. 92, issue 6, p. 72

 

The words that grabbed me are these:

“… it takes hold of man

Like the spirit of the one woman he cannot do without.

A strange beauty the desert has

And a harshness that’s soft as love itself

To the heart that feels it …”

It takes hold of a woman, too.

Here’s a picture of the rock formation the poet refers to

http://www.pbase.com/aw11mr2/image/87186372

A Comic Digression

 

This satirical doggerel was originally posted in a discussion on Goodreads. I received a request to post it where it was easier to link to it, so here it is:

 

The Author’s Patter Song

 

(With apologies to Gilbert and Sullivan)

 

I am the very model of a modern indie authoress.

My editor is excellent, my formatting is not a mess.

I’ve hired top professionals for proofreading and cover art ,

And hope that that I will join the ranks of authors who discovered are.

 

I don’t engage with trolls or drive-by one-stars on the internet.

I’ve never said so far a thing on Goodreads that I might regret.

Real readers wrote my good reviews not sock puppets or family.

I hope this will promote me since I must not do it spammily.

 

I can’t afford for Foreword or for Kirkus to approve me

And if I were to push hard would-be readers would remove me

From their to-read lists, and so I keep my self-promotion minimal.

With marketing so subtle that it borders on subliminal.

 

I’ll hang on with obduracy and get discovered anyway.

To languish in obscurity would be a terrible cliché.

But …

I’m at the very bottom of the Amazon best seller list

Where almost every other model modern indie author is.

Crystals and Waterfalls

I just returned from a visit with friends in Asheville North Carolina, the spiritual twin of Santa Fe, the wet green version of the City Different. Like Santa Fe, Asheville is set in mountains, and has more eccentrics and creative people per square foot than other cities its size. I loved it.

 

As well as the company of the warm, loving people who welcomed me into their home, I had the pleasure of hiking in mountains full of waterfalls. I had no idea there could be so many in one place. Some are roaring, towering torrents, while another flows across a slope of rock in such a way that water forms patterns like shells made of lace. The sound of each fall is unique, a song as hypnotic as the ocean.

 

My friends’ five-month-old baby seemed to go into a bliss state in the woods. Indoors, he can fuss like a champion, like any baby, but on the trails he was in nirvana for mile after mile. Even when it rained, he either slept, or licked raindrops off his carrier. His parents take him hiking a lot. I like to think this is giving him a nature-mind, an affinity for the shapes of trees, the sound of waterfalls and the smell of earth.

 

We visited one of the local “gemstone mines.” I know there are real mines with emeralds and other precious and semi-precious stones in the North Carolina mountains, but this was more of a game, where you can sift a bucket of dirt tray by tray and see what shows up. Strangely, it was more fun than seeing crystals on shelves and shopping. I like mystery and suspense. When I got home, of course I looked up the healing properties of my new acquisitions.

 

I just finished writing my short story prequel for the Mae Martin series, set during her childhood in her native North Carolina mountains. It was good to visit my protagonist’s roots and be reminded of all its details, from waterfalls to emeralds to hot boiled peanuts, and to be around people who talk like her. I’ll have to take her back there in one of the later books. It’s an extraordinary place.

 

Rainbow Falls: http://www.romanticasheville.com/rainbow_falls.htm

 

Writing about Readers, and a Writer’s Reading

I like to think about what my characters read, even if I don’t mention it in a book. Do they read fiction? Self-help? Science? Biographies? Magazines? Newspapers? Poetry? It helps me see them offstage, and then I can bring that material onstage if I need it. A friend who read The Calling said she was struck by the magazines Mae sees lying on the coffee table in one of the last scenes in Tylerton, when Hubert’s reading reminds Mae of the complex person he is. My friend subscribes to The American Prospect, and seeing it on that table along with Runner’s World and Car and Driver told her a lot about Hubert.

My magazines and scholarly journals started piling up while I was reading four books at once: two works of literary fiction, one genre novel, and one nonfiction book. (I’m down to two books now, almost done with one of them.) In spite of all this reading, I feel intellectually unplugged without the magazines, out of touch with the worlds of nature, history, politics, culture and science that I’d usually be reading about. The only periodical I’ve kept up with is the weekly Santa Fe Reporter, and I’ve only been reading a few major stories in each issue. I normally read everything cover to cover.

Do I need to know how to survive a kayaking disaster? No, but I read the “Survive” articles in Sierra anyway. I read recipes in New Mexico Magazine I have no intention of cooking, and research in Alternative Therapies in Health and Medicine on therapies I may never use, as well more applicable articles on yoga and meditation. In IDEA Fitness Journal I read about new workout programs I might or might not ever teach. All this material finds its place somewhere in my life, enriching my knowledge, making me think,  helping me understand others’ lives, or showing up in my books.

For example, I learned about the Arts in Medicine program at the UNM Hospital through New Mexico Magazine. I wasn’t looking for this information, but volunteering with Music in Medicine was a perfect fit for Jamie’s talents, character and personal history. It became part of his background in Shaman’s Blues. I found an article on voodoo as a healing tradition in Alternative Therapies that I’m using in depth for one of my works in progress. The Reporter plays a role in Shaman’s Blues, as Mae gets acquainted with Santa Fe.

I owe it to my protagonist as well as myself to get caught up on my magazines. Mae Martin would not get behind on IDEA Fitness Journal. I need to be current with what she’s reading.

Writers—what do your characters read? Readers, do you notice if a character does or doesn’t read?

“You want me to get my hands dirty?”

The boy’s bird-watching father had left him to his own devices. While his dad strolled around the park peering up through binoculars, the robust little lad, five or six years old, hung on the railing of the bridge over the stream, shouting at various bits of trash floating past as if cheering drivers in a NASCAR race. “Water bottle! Look at the milk jug go!”

Milk jug. I realized that an annoying piece of plastic litter I couldn’t reach earlier had dislodged from a spot further upstream. This park, my usual running place while I’m in Virginia, has wildflowers, blue herons, hawks, cardinals, kingfishers, and huge sweet-gum trees that seem to grow from one massive root network at the edge of the water, but the amount of trash flowing below them is a persistent detraction from my inner peace. I stopped my post-run stretching and went downstream and explained to the boy that I was going to try to pick up all the stuff he’d been watching.

He followed me to one of the sweet gum trees that grows out over the stream, and watched me lie down on its mossy trunk to fish the jug out with a stick. Having found a whole nest of other floating detritus, I asked him to hold the jug for me so it wouldn’t blow way while I got the other stuff out.            “Yuck,” he said, grasping the slimy handle. “What’s all that green stuff?”

“Algae. It looks yucky but it’s more natural in the water than the garbage.” Of course, there’s the whole issue of nutrient pollution from farm runoff, but that’s a lot for a kid to comprehend.

I didn’t know what the chances were that he could come to see these familiar objects in the wrong place to be just as icky as green slime, but it was close to Earth Day at the time so I tried to explain. While I hauled out a few water bottles and plastic dip-tobacco containers, I told him how it all ends up in the ocean and can choke fish and birds, sparing the details of how the oceans’ garbage patches attract dioxins and other toxic contaminants. A little sad news might be enough to make a kid care, but not a whole depressing dump of it.

One of the water bottles I’d pulled out blew away. And then the boy dropped the milk jug back into the water, apparently on purpose.

I used my best kindly-teacher voice. “I thought you were going to hold onto that for me.”

He looked at me in bewilderment. “You want me to get my hands dirty?”

“Yes. We’re getting our hands dirty so bad things won’t happen. We can wash our hands, but we can’t wash the ocean.”

“Why not?”

“There are patches of trash in it as big as the state of Texas. Once it’s all in there, there’s so much, it’s hard to get out.” I got up and collected my heap of garbage. “Thanks for helping me.” After all, he’d tried, if only for a few seconds before the slime got to him.

I put the plastic, too contaminated to recycle, into the garbage can, wiped my hands in the grass and resumed my stretch. The boy hung on the rail again, shouting at something new in his imaginary play. Though I didn’t succeed in making him understand what I was doing and why, confusion is fertile ground for learning. Maybe he asked father some questions later. I hope so. His father might care. After all, the man loves birds.

As I left the park, this encounter got me thinking. There are a lot of ways in which I don’t get my hands dirty enough.

I admire the people who do. In The Calling I created a character, Mae’s mother-in-law Sallie Ridley, who gets involved in local politics. She’s abrasive and opinionated in her attempts to change the world, but she tries. I’ve had a few readers say that they both agree with her and dislike her at the same time. As an organic farmer and aspiring mayor, Sallie gets her hands dirty both ways, and by this I don’t mean political corruption, but just digging in and doing the ground-level, local work.

I only dip into politics at the edges—knock on doors, make phone calls, and I’m uncomfortable the whole time I do it. My personality and campaigning don’t fit easily. After the last presidential campaign, I had a discussion with a freshman seminar about voting and degrees of involvement. One student in the class had not voted and had not cared who won. One student had volunteered for the candidate opposing the one I worked for. No one else had been involved other than voting, and they were amazed that we had dared to volunteer. “Aren’t people mean to you, or rude?”

Neither of us had encountered such behavior. Face to face people didn’t act the way they do online. They were polite when they said no. No slammed doors, no insults, many friendly responses. I’m not a confrontational person, so I’m glad my political activities were met with such civility. Even writing this blog post feels bold to me, compared to writing about my usual topics, and all I’m talking about is litter. That’s hardly controversial. No one likes litter.

And I suspect no one likes picking it up, either.

The TED talk linked below is powerful. It’s a few years old but unfortunately, not outdated.

http://www.ted.com/talks/capt_charles_moore_on_the_seas_of_plastic

The background (as I recall it from an article I read a while back):  Charles Moore, the owner of a California cabinet-making business, had come into an inheritance and had chosen an early retirement. He meant to enjoy it by sailing, but as he took a challenging and seldom used course across the Pacific, he kept running into so much trash he changed his life’s course, and started the Algalita Foundation, to work on the well-being of the oceans. He is credited with discovery of the Great Pacific Garbage Patch. After I watched this, I could never forget the effects of trash in the waters. If everyone were to pick up three pieces of plastic every day, we could keep a lot of litter out of the ocean, without even getting our hands very dirty.

Foxx meets Pigg: Random Observations on the Odd

An author’s name cited in a student’s paper jumped out at me as if it somehow didn’t belong in an academic context. Pigg. Names like Pigg and Hogg beg to belong to characters like the “rude mechanicals” in a Midsummer Night’s Dream, not Ph.D. psychologists.

Speaking of Bottom, a friend whose last name was Butt (I’m not making this up) married a man with the surname Broadass. They decided not to hyphenate.

I saw the name Ole Aass on an old gravestone in the cemetery of a simple white Norwegian Lutheran church in the town of Norge, Virginia. The setting was serene, spiritual, and idyllic but for a moment all I could think of was how his name would have looked in the phone book if he’d lived in a later century.

I’ve used some of my favorite off-beat names in my books. My protagonist Mae’s maternal grandmother was an Outlaw, a wonderful North Carolina moniker that is both realistic for the region and reflects the way some people treat Mae because of traits she gets from that Outlaw grandmother.

Strange coincidences can happen around names. I have two students with an unusual first name—I’ll change it to Cordelia to protect their privacy. One has the last name Casto, the other is Castorina. There are eight sections of this class and yet they both ended up in this section, sitting next to each other. They still find it weird.

A young man who took my yoga class a few years ago got an e-mail addressed to someone with the same name. I’ll call him Chase Merryman, a name about as odd as his real name. That other person must have had a dot or dash in his e-mail address which this fellow did not. The intended recipient Chase Merryman was being offered a job interview for an editorial position with a sailing magazine based in Australia. The wrong Chase Merryman was qualified for it. He answered the e-mail, explained the mistake, but added his resume nonetheless. He got invited for an interview.

The classic synchronicity is a meaningful coincidence. The Chase Merryman story is a good example. The instance of the two Cordelias is not. Only the synchronicity gives me an idea for a story. The Wrong Chase Merryman makes a pretty good title. I have the start of a plot I can work with—only the ending won’t be as simple as what happened in real life. (He didn’t end up taking the job, but he had a great trip to Australia.) When you read the story, whenever I get it written, know that it was based on fact. Strange coincidences can really happen.

So can strange names. Maybe Dr. Pigg and Ole Aass have places in some writer’s future work. If I come across them, I’ll wonder—did the author read this blog, or was that a coincidence?